Slit, 2011
Slit, 2011

Digital drawing over oil painting. 40x40". The first piece in a series of works looking at the simplest lines as mark making tools. 

Field, 2011
Field, 2011

72x72" straight vector line segments. Pair of xerox prints.  I am using a single mark type to build a landscape that moves and breathes.

Horizon, 2013
Horizon, 2013

Straight vector line segments, xerox print, 36x120". Installed at Noyes Cultural Center, Evanston, IL in 2014 as part of Dialogue: Full Force.

Ways of Making: Digital
Ways of Making: Digital

Installation View, Governor's State University Art Gallery, University Park, IL.

From left to right: Opening, Body, Part, Spine, Commitment. All xerox prints 36x80".

Horizon, 2014
Horizon, 2014

Straight vector line segments, xerox print. 36x120". Using the simplest mark to make a landscape move and breathe.

Part, 2013
Part, 2013

90x36" xerox print of vector-based digital drawing. In this series, I am using a single mark type to build a landscape. Exhibited in the three person show Ways of Making: Digital at Governors State University Art Gallery, University Park, IL.

Commitment, 2013
Commitment, 2013

90x36" xerox print of vector-based digital drawing. In this series, I am using a single mark type to build a landscape. Exhibited in the three person show Ways of Making: Digital at Governors State University Art Gallery, University Park, IL.

Body, 2013
Body, 2013

90x36" xerox print of vector-based digital drawing. In this series, I am using a single mark type to build a landscape. Exhibited in the three person show Ways of Making: Digital at Governors State University Art Gallery, University Park, IL.

Spine, 2013
Spine, 2013

90x36" xerox print of vector-based digital drawing. In this series, I am using a single mark type to build a landscape. Exhibited in the three person show Ways of Making: Digital at Governors State University Art Gallery, University Park, IL.

Needle, 2013
Needle, 2013

Straight vector line segments. 40x60". Exhibited in REPLETE WITH ERRORS at Gallery 175 in Chicago, a pop-up space in the loop curated by Sarah Krepp in a two person show with Mara Baker.

Thrown: Field, 2013
Thrown: Field, 2013

16x20 Drawing. straight vector line segments and USGS Pattern fields. Adding a field/grid to the single mark language. Exhibited in REPLETE WITH ERRORS at Gallery 175 in Chicago, a pop-up space in the loop curated by Sarah Krepp in a two person show with Mara Baker.

Thrown: City, 2013
Thrown: City, 2013

16x20 Drawing. straight vector line segments and USGS Pattern fields. Adding a field/grid to the single mark language. Exhibited in REPLETE WITH ERRORS at Gallery 175 in Chicago, a pop-up space in the loop curated by Sarah Krepp in a two person show with Mara Baker.

Thrown, 2013
Thrown, 2013

16x20 Drawing. straight vector line segments and USGS Pattern fields. Adding a field/grid to the single mark language. Exhibited in REPLETE WITH ERRORS at Gallery 175 in Chicago, a pop-up space in the loop curated by Sarah Krepp in a two person show with Mara Baker.

Thrown: Heaven, 2013
Thrown: Heaven, 2013

16x20 Drawing. straight vector line segments and USGS Pattern fields. Adding a field/grid to the single mark language. Exhibited in REPLETE WITH ERRORS at Gallery 175 in Chicago, a pop-up space in the loop curated by Sarah Krepp in a two person show with Mara Baker.

Slit, 2011
Field, 2011
Horizon, 2013
Ways of Making: Digital
Horizon, 2014
Part, 2013
Commitment, 2013
Body, 2013
Spine, 2013
Needle, 2013
Thrown: Field, 2013
Thrown: City, 2013
Thrown, 2013
Thrown: Heaven, 2013
Slit, 2011

Digital drawing over oil painting. 40x40". The first piece in a series of works looking at the simplest lines as mark making tools. 

Field, 2011

72x72" straight vector line segments. Pair of xerox prints.  I am using a single mark type to build a landscape that moves and breathes.

Horizon, 2013

Straight vector line segments, xerox print, 36x120". Installed at Noyes Cultural Center, Evanston, IL in 2014 as part of Dialogue: Full Force.

Ways of Making: Digital

Installation View, Governor's State University Art Gallery, University Park, IL.

From left to right: Opening, Body, Part, Spine, Commitment. All xerox prints 36x80".

Horizon, 2014

Straight vector line segments, xerox print. 36x120". Using the simplest mark to make a landscape move and breathe.

Part, 2013

90x36" xerox print of vector-based digital drawing. In this series, I am using a single mark type to build a landscape. Exhibited in the three person show Ways of Making: Digital at Governors State University Art Gallery, University Park, IL.

Commitment, 2013

90x36" xerox print of vector-based digital drawing. In this series, I am using a single mark type to build a landscape. Exhibited in the three person show Ways of Making: Digital at Governors State University Art Gallery, University Park, IL.

Body, 2013

90x36" xerox print of vector-based digital drawing. In this series, I am using a single mark type to build a landscape. Exhibited in the three person show Ways of Making: Digital at Governors State University Art Gallery, University Park, IL.

Spine, 2013

90x36" xerox print of vector-based digital drawing. In this series, I am using a single mark type to build a landscape. Exhibited in the three person show Ways of Making: Digital at Governors State University Art Gallery, University Park, IL.

Needle, 2013

Straight vector line segments. 40x60". Exhibited in REPLETE WITH ERRORS at Gallery 175 in Chicago, a pop-up space in the loop curated by Sarah Krepp in a two person show with Mara Baker.

Thrown: Field, 2013

16x20 Drawing. straight vector line segments and USGS Pattern fields. Adding a field/grid to the single mark language. Exhibited in REPLETE WITH ERRORS at Gallery 175 in Chicago, a pop-up space in the loop curated by Sarah Krepp in a two person show with Mara Baker.

Thrown: City, 2013

16x20 Drawing. straight vector line segments and USGS Pattern fields. Adding a field/grid to the single mark language. Exhibited in REPLETE WITH ERRORS at Gallery 175 in Chicago, a pop-up space in the loop curated by Sarah Krepp in a two person show with Mara Baker.

Thrown, 2013

16x20 Drawing. straight vector line segments and USGS Pattern fields. Adding a field/grid to the single mark language. Exhibited in REPLETE WITH ERRORS at Gallery 175 in Chicago, a pop-up space in the loop curated by Sarah Krepp in a two person show with Mara Baker.

Thrown: Heaven, 2013

16x20 Drawing. straight vector line segments and USGS Pattern fields. Adding a field/grid to the single mark language. Exhibited in REPLETE WITH ERRORS at Gallery 175 in Chicago, a pop-up space in the loop curated by Sarah Krepp in a two person show with Mara Baker.

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